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I’m endlessly humbled by seeing how, and how many, people use it. I designed with laser focused constraints, and made those work musically. What I built eventually turned into The Party Van, a monster of a program that I am very proud of. It also showed me that design was as much about what you don’t include as what you do.

It removed the “terror of the infinite” which can happen when working with an open programming environment. Having something rigid to start building towards proved to be invaluable. I began with the buffer shuffling function of the WTPA. So I started off by trying to rebuild the WTPA sampler in Max. I was going to push and push until I was live sampling. This is when I decided to give Max/MSP one more push. I then thought that if I was going to do a ton of programming, I might as well do it in a language that’s easier to understand, and more powerful.

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I’m ok at writing Arduino code due to its similarity to Javascript, but the idea of creating such a massive project around it was kind of scary. I got weeks into the development before it hit me: I was going to have to drown in Arduino code to pull this off. It had an LCD screen, over a dozen buttons, and lots of audio I/O, including a built-in condenser microphone. It was quite ambitious, as you can see from the sketch. It was an elaborate setup based around the idea of having an Arduino controlling the WTPA 2.0 via MIDI. Here’s a page from my sketchbook showing the front/back/top/side panels of what I had in mind: So I started conceiving and planning a beast of a setup, originally based around the WTPA 2.0 sampler which was due to come out. I wanted to be able to sample live audio, and not just the electronic instruments I was running through the sampler. It was simple, it was streamlined, and it kicked ass. I built a complex setup around the WTPA sampler, and used it in various contexts over the next couple of years. I’m a big fan of DIY stuff, and the lo-fi sound was right up my alley. I did that 2-3 times.Įnter the Where’s The Party At 8-bit hardware sampler, a cool looking and sounding DIY hardware sampler that I found super intriguing.

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You could make a unicorn make-out with a hunter if you knew how to use it, and I desperately wanted to. Over the next few years I went through a cycle of drilling the tutorials hard, then getting frustrated because I couldn’t do anything with live audio, and then quitting. Even back then, Max/MSP (as it was then known) was a mythical beast of a program. I first started learning Max in 2003/2004, in the Max/MSP 4 era.

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If you want to skip the trip down memory lane, you can click here to download karma~ 1.0 for Mac/Win. I am eternally grateful for his programming wizardry and endless patience with me. From that point we’ve exchanged hundreds of emails discussing the feature set, implementation, and bug fixery. Thankfully, he was interested and able to.

Karma~, has been in somewhat active development since September 2014, when I first contacted raja to see if he would be interested in writing the C code for it. I am incredibly proud to present karma~, a dynamically lengthed, varispeed record/playback looper external for Max.Īnd here is a tutorial video showing some of what karma~ can do: